Westerns: Making the Man in Fiction and Film - Classic American Cowboy Stories for Book Lovers & Movie Fans | Perfect for Western Genre Enthusiasts & History Buffs
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DESCRIPTION
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films like Stagecoach to spaghetti Westerns like A Fistful of Dollars, Mitchell shows how Westerns helped assuage a series of crises in American culture. This landmark study shows that the Western owes its perennial appeal not to unchanging conventions but to the deftness with which it responds to the obsessions and fears of its audience. And no obsession, Lee Mitchell argues, has figured more prominently in the Western than what it means to be a man."Elegantly written. . . . provocative . . . characterized by [Mitchell's] own tendency to shoot from the hip."—J. Hoberman, London Review of Books"[Mitchell's] book would be worth reading just for the way he relates Benjamin Spock's Baby and Child to the postwar Western."—The Observer"Integrating a careful handling of historical context with a keen eye for textual nuances, Mitchell reconstructs the Western's aesthetic tradition of the 19th century."—Aaron M. Wehner, San Francisco Review
REVIEWS
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4.5
I'm writing this largely unnecessary review (unnecessary because most people studying the Western film genre already admire Mitchell's work), to counteract the negative review posted about this book. It's first important to note that different readers find different kinds of "joy" in reading, so that no book will satisfy all readers. That said, this is an academic study of film and literature about the West, which employs a variety of types of reading (historical, theoretical, aesthetic, etc.). That the book opens with quotations from Borges, Barthes, and Tom Mix gives a good sense of its approach. While Mitchell and I disagree on some readings, his arguments are thoughtful, detailed, and often exhilarating. If you're a serious student of film and/or Western film and literature, this is a book for you.
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