Free shipping on all orders over $50
7-15 days international
12 people viewing this product right now!
30-day free returns
Secure checkout
54870534
Product Description Overachieving actress, Rebecca (Moore), must come to grips with her failing marriage to stay-at-home dad, Tom (Duchovny). While Rebecca's slacker brother, Tobey (Billy Crudup), can't seem to commit to his aspiring novelist girlfriend, Elaine (Maggie Gyllenhaal). As both relationships spin out of control, the two couples embark on a hilarious quest to rediscover the magic and romance of falling in love in New York. Amazon.com For a sex comedy, Bart Freundlich's fourth feature Trust the Man takes many of its cues from 1980s-era Woody Allen, but is neither as sexy nor as funny as intended. It's the tale of two couples. Rebecca (Julianne Moore, Freundlich's real-life wife) is an actress. Her husband, Tom (David Duchovny, Moore's Evolution co-star), is a stay-at-home dad, much like Patrick Wilson's character in the considerably darker Little Children. The Manhattan dwellers have two kids. Fellow New Yorker Elaine (Maggie Gyllenhaal), an aspiring author, lives with Rebecca's brother, Tobey (Billy Crudup, sporting an ill-advised goatee), a sports writer. They've been together for seven years. Elaine is ready for marriage and a baby; Toby, not so much. Both men have roving eyes, Tom for single mother Pamela (Dagmara Dominczyk) and Tobey for ex-girlfriend Faith (Eva Mendes), a newlywed. Rebecca and Elaine, in their sincerity, may be more sympathetic, but all they ever seem to talk about is their unsatisfactory sex lives. Naturally, something has to give and it does--for all four. On the downside, Trust the Man finds Freundlich in a bit of a holding pattern. In retrospect, domestic drama The Myth of Fingerprints, Freundlich's first film, is still the writer/director's best. Though James LeGros and Duchovny pal Garry Shandling provide amusing cameos, the main reason to catch Trust the Man is for Duchovny himself in his most fully realized role since the inimitable Agent Fox Mulder--oddly likable despite his many faults. --Kathleen C. FennessyBeyond Trust the Man More from David Duchovny Relationship Comedies Another Julianne Moore/Billy Crudup/Bart Freundlich Film Stills from Trust the Man
just goes to show no matter what a woman does every man will cheatI am typically a big fan of the lead actors in this film, but not this time. Do not waste your money renting this one. It had a couple of LOL lines and was OK watching... until the last 10-15 minutes when it sputters, goes sideways, and dies. Really a sad waste of talent.David Duchovny shines in this movie. It was nice seeing him portraying a family man type character. The movie has just the right mix of comedy and drama.As with The TV Set, the only reason for watching this movie is David Duchovny. He's always great to look at. He does his best with a stupid script. Again, his female costar, Julianne Moore, is much less physically attractive than he is. Of course, by now, anyone who reads these reviews knows that I'm partial to Tea Leoni and Gillian Anderson.There was nothing new or entertaining here. Maybe the expectations are high with such a fine cast but I couldn't stay until the [predictable - as the entire first hour or so went ?] end.This is such an underrated movie. I love it so much! I made my husband watch it and he liked it too (even though it had no explosions!). There's enough humor in it to keep pulling you through all the uncomfortable, unpleasant stuff that gives it its value.I love this movie, I could watch it 100 times and still love it. Hilarious, and real relationship development. Great cast and excellent writing.There are few films I have found as annoying as Bart Freundlich's "Trust the Man". Starring his wife, Julianne Moore, their friend, David Duchovny, Billy Crudup and Maggie Gyllenhaal, the film tells the story of two couples in New York dealing with marital problems. Sprinkle in some "wacky" character traits, some "funny" observations and "richly observed" dialogue and you begin to get the idea of the problem. Freundlich is making a completely artificial film, based on real life events, trying to make them funny, but everything comes across as obnoxious and phony.Rebecca (Moore), an actress, and Tom (Duchovny), a former advertising wunderkind, are married with two children. As Rebecca begins rehearsals on a new play at Lincoln Center (we learn she turned down a film to star in the play), Tom stays at home to watch the kids (a baby and a three year old) and ruminate about how horny he is. They go to see a counselor (Garry Shandling) and discuss their sexual problems; Rebecca thinks Tom is a maniac because he wants to have sex twice a day. Her brother, Tobey (Crudup) is in a long term relationship with Elaine (Gyllenhaal), Rebecca's best friend, who suddenly hears her biological clock ticking and realizes she wants to be married and have a child. This is not good news for commitment phobic Tobey who writes magazine articles and would rather camp out in his car grilling cheese sandwiches.Each member of each couple will be tempted by another person, some will have an affair. Can all four fix their relationships? Do you care?"Trust the Man", written and directed by Freundlich, appears to be at least partially autobiographical. Because Moore headlines the film and it co-stars their friend Duchovny, it gives the film a creepy vibe it wasn't necessarily going for. Instead of portraying an interesting, funny part of their lives, it merely makes them seem like they are possibly working out their marriage therapy on film. And we get to pay to watch the effort.The problem with "Man" isn't the subject matter, many a great film has been made about relationships, it is with the tone and mood of the story. Rather than try to find any real drama or humor in these relationships, everyone is just slightly off center and has some wacky traits, meant to heighten the laughs. Instead, it just seems phony. When the film opens, Tom and Rebecca are having breakfast with their kids. Their older son is in the bathroom, on the toilet, talking about how he has to poop, but can't. His dad says "well, sometimes passing gas can help". But the little boy is not convinced and says his stomach hurts. This whole scene is meant to be funny, but it merely comes across as extremely annoying. The little boy is way too precocious and the conversation is just stomach churning.Throughout, every time one of the characters even approaches a behavior that might be considered `real', they then do something `funny' or make a `witty' comment, completely ruining the character and making them seem like a reject from a bad television sitcom. Why does Crudup's character sit in his car, writing on a laptop, grilling cheese sandwiches? Why does Duchovny's character seem obsessed with sex? When he wants to have sex, he brings out a tape. Moore responds "if that is one of your tapes, you can just forget it". For that matter, why is she so frigid?Just as the film seems as though it might actually have something to say about these characters, it resorts to broad comedy. For instance, when they visit the counselor (Shandling), he gives them advice which is meant to elicit laughter, but because it has no basis in reality, it doesn't work.Do people in New York really behave like this? The film depicts such a small part of the demographic that I have difficulty understanding why the studio decided to make this film. How are people in San Francisco, Los Angeles, Montreal, Chicago supposed to relate? I really have my doubts that this film would be popular even in New York, but if this is the case, the film would be best presented as an off-Broadway play. That way, the people who might like this film can enjoy it without subjecting it on the public at large.Late in the film, after both couples have broken up, they will, inevitably get back together again. This whole sequence, at the Lincoln Center, seems more reminiscent of a Marx Brothers film, rather than a sensitive film about the relationships. The characters run around the theater, screaming at each other, doing double takes, mugging. It is a truly awful way to end the film and completely ruins any feeling of reality these characters may have been able to create.Long story short, don't "Trust" the man. This is a dreadful, unfunny, smug film that deserves to die a quick death.I loved the performances of all the cast in this extremely light rom-com (and I mean light) even the supporting cast were good. The standout though was David Duchovny who has impeccable comic ability and timing, he has proven in the past what a talented comedic actor he is, both with Larry Sanders and lighter episodes of the X-Files, in this film he really does shine. I can't wait to see his upcoming performance in The TV Set.Anyway what let the film down for me though was the fact that it was neither funny nor clever, at times I felt the humour to be quite juvenile, which isn't always a bad thing in movies, I just felt that here it didn't work, especially the fart/ball punching jokes. I also felt that what we were seeing was just random scenes thrown together instead of something linear and progressive. Maybe that was the point but it felt really disjointed. Oh and the ending was really farcical and embarrassing.Brilliant film, saw it on ITV Player and had to buy it, it is that good. Not often I am moved enough to buy a film. This is a must have.AN EXCELLENT ROMANTIC COMEDY FILM WITH GOOD PERFORMANCES BY THE LEADING ACTORS AND ACTRESSES MAKING FOR A REFRESHINGLY FUNNY FILMI loved this film. I always watch a happy film when I am feeling down, and this one certainly fitted the bill.As described, good value!