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4.5
Hemingway delivered his last masterpiece with this book, a cultural phenomenon when first published in the early '50s: in an unprecedented move, Life Magazine published the novella in its entirety,recognizing that Hemingway, the most influential writer of 20th century American literature and then a world-wide celebrity, had delivered a long-awaited masterful story. The Life magazine edition sold more than 5 million copies in a week so this book reached tens of millions of people within days - not many authors can achieve that! And that's before becoming a much beloved story translated into scores of languages. It is fair to say that this book, which won the Pullitzer Prize, reignited the interest and respect for Hemingway as a serious writer and might have been the decisive factor for his Nobel Prize award.It is so disappointing when people say that story is boring and has too much simbolism... if you have experience fishing or sailing or simply appreciating the sea and nature, then the book offers a marvellous account of man AND nature (not man vs. nature). As for the simbolism, don't dwell too much on it. Hemingway himself said that the book is about "an old man, a boy, a fish and the sea", but if the story is told well enough (as it is on this book) it can mean so much more.And the story is indeed so much more, in no small part because of the inherent goodness of the old man. That's how I enjoy and interpret the book: it is a straightforward tale of an old man embracing the struggles and rewards of life with courage, dignity and still full of the human spirit. Santiago is one of the most dignified characters in Literature, and I have to say he is my favorite and a bit of a personal hero... the old fisherman strives to be the best he can be and do the best he can do... he does not complain of his living in poverty, do not blame others for anything. His spirit is big, generous, undefeated. While other Hemingway heroes might have disappointed some people by way of too much machismo, Santiago keeps all the best traits of courage, resilience and non-nonsense survivalism, while displaying more maturity and humility - perhaps reflecting the middle-age wisdom of the author (then is his fifties).Hemingway story-telling skills are at his best here. I am a big fan of his style, particularly in the short-story format, but here he is astounding all the way. yeah, the prose is deceptively simple at first, but if you pay attention we can see the craft of a master. The opening sentence alone is formidable and could only be delivered by a master of the short-story format. Ihe last sentence is also wonderful and pure Hemingway- simple but infinitely deep, and in this story hopeful and bitter-sweet.In between, Hemingway writes with uncanny power,in such a way that you can fully experience what the character is going through: first you see what the old man does, from mundane tasks and spadework to the excitement of the deep-sea hunt and the exhausting struggle, and in the process you start to think the way Santiago thinks and finally you are feeling the way he feels. It is magical if you only give it a try. Granted, it is easier to immerse into this story if you are familiar with the ways of fishing and the ocean, but in any case, when Santiago is alone in the boat looking at the sea creatures or at the night-sky... I guess the recognition of the infinite solitude of human condition, mitigated by the bonding with the life and the world around us, that is truly universal.I am so glad that such a sweet, simple, timeless story became the classic that it is. You have to try this one too!